Artist Statement
As both a historian and a choreographer, I approach my crafts with a dual perspective. For over a decade, I have navigated these seemingly disparate fields, discovering moments of both conflict and synergy. This duality has often been challenging but increasingly rewarding. In recent years, I have found that my historical training deeply enriches my choreography, allowing me to merge rigorous research with creative exploration.
My background as a historian equips me with a methodical approach to inspiration. I begin by identifying a subject, music, or story, and then delve into comprehensive research. This process extends to my choreographic practice, where I rigorously investigate movement in rehearsal. By first contextualizing my choreography, and then decontextualizing it in the rehearsal process, I seek to create a dialogue between historical subjects through contemporary expression.
This research-driven approach allows me to blend classical theater and jazz lineages with contemporary styles, resulting in choreography that is both rooted in tradition and innovatively modern. The intersection of my historical and choreographic pursuits not only enriches my work but also offers audiences a layered, multi-disciplined experience.
My journey through these dual disciplines has profoundly shaped my artistic voice and personal growth. The challenges and rewards of merging the study of history and dance have led me to a place where my work feels richer and more resonant, offering a perspective that I am excited to share with audiences.